Tuesday, June 29, 2010

Insight through Body Language and Nonverbal references in Tirukkural

Source : http://www.languageinindia.com/feb2010/subramaninonverbal.pdf
Author : R. Subramani, Ph.D.

Tamil Language has rich traditions and literatures; it possesses social values and universal thoughts. Tirukkural is one such ancient scripture in Tamil, and consists of 1300 couplets (two lines of verse) which are popularly known as Kural. They are grouped into three major sections of Virtue, Wealth and Pleasure.

Tiruvalluvar’s Tirukkural has exclusively deals two units of couplets on non verbal communication. The importance of the face and the eyes in communication are emphasized in the couplets. Anger, authority, fear, timidity, coyness, confidence, diffidence, etc. can be decoded from one's gaze. They can signal intimacy, concern, naughtiness, joy, surprise, curiosity, affection and love, pleading for mercy, attempts to fake.

Linguistic scholar M.S.Thirumalai has cited many literary references of communication through Eyes. His text reads as ‘Eye as a communicative medium has referred to in many poems and other works of literary art. The expression of emotion via eye attracts special notice in dramatic works also. At the ritual level, eyes are seen as 'a means of expressing feelings, of imposing silence, will, love or reverence, a means also of participating in the essence and nature of the person or object looked at'.

The human face is extremely expressive, and able to exhibit immeasurable emotions without pronouncing a word. Facial expressions are universal and they communicate information about emotions, regulates interpersonal behavior and perceptions. The human face is the most complex and resourceful. It is a rich and versatile instrument in serving many different functions. It serves as a window to display the circumstances of the person. Through the face we can able to make one's behavior more predictable and understandable.

Tiruvalluvar extensively deal with body language in his literary work. In the couplets 701-710, we can find descriptive interpretations on Body language and non verbal communication. One can easily identify the Insight; feelings, thoughts, mindset of the individual through his/her face, and eyes. The encoder (sender) and decoder (receiver) can mutually identify the state of mind and nature of the message through body language. This has been explicitly appeared in the couplets of Tirukkural. Facial expressions, Eye contact, reading the eyes are widely uttered in the literary portions.

As noted above, emotions and feelings can be decoded through facial expressions and gazes. The below uttered couplets encapsulates the active transformation of messages between the senders and receivers. The face can act as a medium for human communication. Tirukkural couplet reads thus:

Who knows the sign, and reads unuttered thought, the gem is he,
Of earth round traversed by the changeless sea. (701)


The English commentator G.U. Pope commented as ‘the minister who by looking (at the king) understands his mind without being told (of it), will be a perpetual ornament to the world which is surrounded by a never-drying sea’. The face is an organ of emotions and, it provides vital clues to our own feelings and those of the people around us.
Our face could be able to offer vivid expressions, and act as a visual display, emotions can appear instantly, and then suddenly vanished and new expressions may appear. Valluvar emphasized that we must have companionship with those who are having the capacity of reading the facial expressions of the individual. His versions read thus:
Who by the sign the signs interpret plain,
Give any member up his aid to gain. (703)


The commentary of the articulated version says that ‘The king should ever give whatever (is asked) of his belongings and secure him who, by the indications (of his own mind) is able to read those of another’. Reading the signs and symbols from the facial expression of the individual is considered as a valuable art in interpersonal communication.

The face is a powerful channel for nonverbal communication. We encode messages through facial expressions; at the same time decode faces around us. It is evident that face can reveal the internal images of the person. In this context valluvar text reads as:

As forms around in crystal mirrored clear we find,
The face will show what's throbbing in the mind. (706)

The commentator said that ‘As the mirror reflects what is near so does the face show what is uppermost in the mind’.

We constantly monitor the face because it provides vital clues to a notable range of possibilities, attraction, whether a person likes or dislikes us. The face has the tendency of reflecting the inner feelings of the person. The face acts as an indicator of the body. In this context valluvar text reads as:

Than speaking countenance hath aught more prescient skill?
Rejoice or burn with rage, 'tis the first herald still! (707)


The commentary interpreted as ‘Is there anything, as full of knowledge as the face? (No) it precedes the mind, whether (the latter is) pleased or vexed’. Human Face may exhibit the personal feelings and the intensity of the psyche to the world.

The face contains influential signs. Our face also plays a significant role in physical attractiveness. If you have a capacity of reading the facial expressions of the individual, no need to have conversation with the person.

The following text of Tiruvalluvar is evidently supporting the theories of nonverbal communication. They are:

To see the face is quite enough, in presence brought,
When men can look within and know the lurking thought. (708)


The meaning interpreted as ‘If the king gets those who by looking into his mind can understand (and remove) what has occurred (to him) it is enough that he stand looking at their face’.

The eyes can able to communicate everything to the world. If a person is not able to make out the meaning from the eyes of others, the encoder eyes may not consider as a useful organ. Valluvar text reads as:

By sign who knows not sings to comprehend, what gain,
'Mid all his members, from his eyes does he obtain? (705)


The commentator interpreted that ‘Of what use are the eyes amongst one's members, if they cannot by their own indications dive those of another?’ According to valluvar, eyes can act as an important medium for non verbal communication.
The eyes can help an individual to identify the nature of relationship with the person. Tiruvalluvar articulates as:

The eye speaks out the hate or friendly soul of man;
To those who know the eye's swift varying moods to scan. (709)


The meaning says ‘If a king gets ministers who can read the movements of the eye, the eyes (of foreign kings) will (themselves) reveal (to him) their hatred or friendship’. Eyes are performing as a diplomat in defining the relationship of the individual with the society.

Eyes are the measurement scale to examine the state of mind of the individual. In this context Tiruvalluvar couplets reads thus:


The men of keen discerning soul no other test apply
(When you their secret ask) than man's revealing eye (710)


The commentary says ‘The measuring-rod of those (ministers) who say we are acute will on inquiry be found to be their (own) eyes and nothing else’.

More interestingly, Tiruvalluvar has written many couplets about nature of love. The lovers can mutually exchanging messages through signs. The following versions have supplied explicit meanings of sign language .The texts read as:


Her painted eyes two glances dart
One hurts and other heals my heart (1091)


G.U. Pope’s commentary says that ‘There are two looks in the dyed eyes of this (fair one); one causes pain, and the other cures. Each eye has different functions in the context of love’.

Another couplet describes the notion of eye sight; it provides meaning for each form of sight. More interestingly, Eye look may exchange different meanings between the lovers. The text reads thus:


The slighting words that anger feign, while eyes their love reveal.
Are signs of those that love, but would their love conceal. (1097)


The commentary is ‘Little words that are harsh and looks that are hateful are (but) the expressions of lovers who wish to act like strangers’. The signs of lovers have different meaning in the public place.

Tiruvalluvar has strongly advocating the potential of non verbal communication. If the lovers have reached mutual agreement through gaze, there are no uses for words. The texts read as:


The words of mouth are of no use
When the eyes to eye agrees the gaze (1100)


The commentary is ‘the words of the mouths are of no use whatever, when there is perfect agreement between the eyes (of lovers)’. Tiruvalluvar points out that eyes are crucial in reading the mind of a person.

Conclusion

Nonverbal communication has strong association with verbal communication and is considered as an accompanying medium. Wordless communication alone speaks volumes. The nonverbal cues which are indicated in the couplets have supply new dimensions for nonverbal communicators. Facial expressions, gaze including eye contact, the posture of the body and gestures convey lot more to the receiver. Tirukkural couplets points out that facial expressions and gazes, eye contacts are dynamically exchanging the messages between the encoder and decoder.

In this process sender and receiver can simultaneously decode the messages. Thereby Valluvar’s nonverbal expressions act as an interactive medium in the communication. Valluvar’s couplets are not only points out the expressions and feelings of the sender and they talk about the receivers as well. More interestingly few couplets have supplied the meaning for gaze of the lovers. Human body is an external vehicle to communicate messages to the world. The analyzed couplets have provides new insight for non verbal communication and further analyses may offer more and more explanations on body language.

Saturday, June 12, 2010

What Is Hinduism?


Modern Adventures into a Profound Global Faith

A rare inside look at the world's most venerable and vibrant religion, revealed in forty-six illustrated journeys into an intriguing realm of temples, Deities, yoga, philosophy, gurus, tolerance and family life.



Download the Complete PDFs of What Is Hinduism?
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Section One: The Nature of Hinduism
Section Two: Hindu Metaphysics
Section Three: How Hindus Worship
Section Four: Spiritual Practices
Section Five: Family Life and Culture
Section Six: Hindu Ethics

Since 1979 the international magazine Hinduism Today has been producing a treasury of educational features on all aspects of Sanatana Dharma. Guided by the founder, Satguru Sivayta Subramuniyaswami, the magazine’s editors, who are initiated monks of Kauai’s Hindu Monastery, collaborated with holy men and women and experts around the world in creating graphically rich guides to virtually every important aspect of Hinduism. The best of those works are assembled in What Is Hinduism? for Hindus and non-Hindus alike to discover the culture, beliefs, worship and mysticism that is India’s greatest gift to humanity. Click here to order.

Hindu Ignorance: Significance of Kavadi



(Taken from THE STAR newspaper, Monday Feb 9, 1998)

It is a common practice for devotees to pierce themselves with numerous hooks and long skewers as well as to pull heavy chariots hooked to their backs even though nothing is mentioned about these forms of devotional expressions in the holy books says chief priest and Hindu scholar Sivachariar Muthu Kumara Gurukal.

Walking on swords (which has since been banned in Batu Caves, Thaipusam) and men dressing up as women and smearing their tongues with red powder to impersonify Goddess Kali are also popular among Malaysian Hindus even though it is clearly stated in the Thirumanthiram (a Hindu scripture) that a person must not hurt or torture his body which is akin to a temple as it houses the soul.


If a devotee wishes to carry a kavadi, that can be just a wooden arc decorated with flowers, peacock feathers and a picture of Murugan. Two pots filled with milk can be attached to both ends of the arch to be offered to Murugan.

"There is no point really to carrying big kavadis or to pulling chariots with hooks attached to the back; at the end of the day, it all just becomes a sideshow," for says Sivachariar Muthu Kumara Gurukal.

But why have such gruesome-looking practices been going on for decades?
Muthu reckons the confusion is due to the lack of religious knowledge which is why many Hindus observe the festival blindly without knowing its true significance. "Unlike practising Muslims and Christians who read and study the Quran and the Bible, most Hindus do not study their religious scriptures in detail.
"Everything is accepted at face value and what is practised are hand-me-downs from generation to generation here in Malaysia," he says.
Besides, most of these kavadi bearers prepare themselves in small independent Kali or Muniswaran temples that can be found scattered throughout Malaysia. Hence, there's no proper supervision or guidance as many of the priests in these temples have not undergone any religious training themselves.

That is why, says Muthu, many Hindus who throng the temples in Penang, Perak and Selangor carry kavadis for other deities like Ganesha and even Ayappan without knowing Thaipusam is a day of prayer and fasting exclusively for Murugan and his vel.


To underscore Muthu's point, P. Samy, caretaker of a Kali temple in Kuala Lumpur who prepares devotees participating in the Thaipusam festivals, admits that no proper guideline is adhered to in such preparations. "What we do here is to teach all those who will be carrying the kavadi or piercing their bodies on Thaipusam how to get into a trance so that it would be easier for them on that day." Is he aware that the current practices are not in line with what's in the holy books?
"I never knew that there were religious scriptures in Hinduism!" replies Samy. "People have been doing things this way for decades and nobody said anything. So, why are they banning this and that all of a sudden now?"

But Muthu stresses that it is truly sinful to smear kum kum (red powder) on the tongue to give the impression that it is bleeding as well as to claim that Murugan, Goddess Kali or demi-god Muniswaran have taken over their bodies and for them to bless onlookers.
"What right do these people have to actually claim and show off that God is in them? Not only does it give Hinduism a bad name but it is also a serious case of blasphemy."
The Hindu scriptures, Muthu adds, states that the right way to carry the kavadi is to do it calmly with a lot of love and faith while chanting vel, vel or the many names of Lord Muruga. "But what we get here is a lot of jumping, shouting and hysterics by youth wearing jeans and boots. This is not Hinduism, it's hooliganism."

Honorary secretary G. Gopallakrishna of the Sri Maha Mariamm Temple Dhevasthanam which manages the Batu Caves temple, a popular Thaipusam venue in Selangor, agrees that many practices which are unrelated to Hinduism take place during the festival. "We are trying our best to keep out deviationist practices and have so far banned whips, rotans, parangs and bongos from the temple perimeters."
This year, the management is also stepping up on the restrictions. Gapollakrishna says that the smearing of kum kum on the tongue as well as the wearing of wigs will not be allowed tomorrow and temple officials have been instructed to look out for any deviant practices that are not in line with Hinduism.
"Only traditional musical instruments like the mridingam, tavil and nagaswaram will be allowed to accompany the kavadi-bearers this year," he adds.
With such firm steps taken to weed what is wrong in the celebrations, in time to come Thaipusam can finally be observed the right way for the right purpose.

Sunday, June 6, 2010

20th Annual Thiruvizha : Sri La Sri Veppang Karumariamman Alayam

5-6-2010, Saturday: The 20th Annual Thiruvizha of Srila Sri Maha Veppang Karumariamman, Bukit Cheras, Kuala Lumpur was celebrated at moderate level today at Taman Bukit Cheras. The Ubayam which runs for the last 11 days ended yesterday whereby on 3-6-2010, Alaaya Nithiyai Poojai with Abhishegam for main deity was performed. Whereas on Friday flag raising ceremony followed by Kharagham Pallithal was performed. I share with you the photos shot by me and Sri G.Click here to view the remaining photos.

Check out the videos after pooja at night.








Saturday, June 5, 2010

Why do people pierce their body with hooks and lance during Kovil Thiruvizha?




People piercing their body with hooks, skewers and (vel) small lances during Thaipusam at Murugan Temples is a common sight. In the beginning people only used to pierce their tongue with a small vel - this was a means to meditate by keeping silent. The vel was used to create a forceful means for Mauna Vratam - remaining silent. But today in some instances, Lord Muruga devotees pull heavy chariots with hooks attached to their bodies - this is a very recent trend.


Such practices are not mentioned in Hindu Holy Scriptures. In Holy books, body is quite often mentioned as the temple in which Brahman resides. Vel’ was presented to Lord Muruga by Mother Parvati to vanquish the demons and not to pierce his body. Even the stories associated with taking Kavadi has nothing to with body piercing.
But piercing cheeks and tongue with ‘vel’ is a common practice by devotees of Lord Muruga. In Malaysia, it goes a step forward and some devotees pull heavy objects up the Batu Caves using hooks attached to the body.
Most people perform such antics to fulfill their wishes. They believe that Muruga will be easily pleased, if the degree of such antics are increased. Ignorance of the basic tenants of Hinduism is the reason behind such practices. People get nothing but mental satisfaction and body pain from such torture.
But these practices have been taking place for thousands of years and several symbolisms have been attached to these practices.
Piercing of the tongue is done to stop the speech and thereby to concentrate fully on the Lord.
Another symbolism states that it is to show that the physical body is a ‘maya’ and ultimate aim is to merge with the Brahman. There are several other symbolisms.
Most devotees enter into a trance during the piercing mainly due to the excessive drumming and chanting. They claim that they experience no pain during piercing and even after the ritual.
Adi Shankaracharya speaks about rituals like this:
Rituals are like blankets that veil the truth. They are nets to trap our intellect, forcing us to confine our consciousness to the superficial values of the manifest world. The thinking of a person who believes exclusively in ritual practices becomes confined to this little world. Subtle thoughts of the mind and tender feelings of heart become outward oriented. Such a person begins to believe that everything can be accomplished with the help of rituals.

Source : http://www.hindu-blog.com/2007/01/why-do-people-pierce-their-body-with.html